I bought the Blue Yeti to simplify my life.
First of all, I have a background in sound, having run concert sound for various types of gigs, ranging from bar bands, to conventions for 2000 people. I have used quite a number of mics and still have a few laying around, including an Audio Technica 4033. It is this mic that I was still using to record, but didn’t like setting up the mic on a stand, running it to my mixer, then taking mixer to MOTU 2408 to computer. It’s just too much for a podcast, or portable apllications.
So, Blue Yeti comes to the rescue. What I liked initially about the Blue is the simplicity of it. Just plug in a usb cable to a laptop and you’re recording. I am using Cool Edit 96 (yes, from 1996) to record straight audio tracks. I have also been using Sony Vegas Movie Studio to record takes when doing instructional videos for my wife.
HOW DOES YETI SOUND?
It sounds great. I would agree with many other reviews out there that it is a very good quality mic. I’m not going to get into how it sounds, except for that it is, expectedly, far superior to any devices built-in mics. That being said, I would have to say the recording quality is on par with my AT-4033 mic. But having multiple pickup patterns makes it much more flexible.
HOW DOES YETI WORK in different situations?
Let me explain first what I have used the Yeti for. I have used it to record instructional videos, as well as solo singing, as well as room recording (a live band). For the first few applications, it works great.
The solo singing worked just fine. For the solo singing, I used the cardioid setting, had the gain about 11:00 and monitored levels on-screen. I also used the headphone jack for live monitoring with zero latency.
The instructional video also worked just fine. I again used the cardioid setting, but the gain was adjusted to about 1:00. With this situation, I was getting too much pop though. So I went and got the DIY pop filter and had my wife hold it between her and the mic. That took care of the pops. BTW the diy pop filter is a pair of womens nylons in an embroidery hoop. Much cheaper than spending $25 on a premade pop filter.
For the room recording, I used the stereo setting, recording to 2 tracks. I had the gain way down because the band that was playing was super loud. Here is where I ran into trouble. I was using cool edit 96, which does not have any capable monitoring system to watch levels while recording. So I had the control panel widget for the blue mic up on screen so that I could see the levels. I kept adjusting up until it almost peaked, then kept it there. The problem I found is that the I never peaked, but the final recording levels turned out compressed. Heavily compressed. This is bad.
Apparently the Blue Yeti compresses the signal so that you don’t peak out in the recording application. But there is no indicator of that happening. If I knew it was doing that, I would have backed down the gain so that it wouldn’t clip the signal while recording. It is unfortunate that I had no way of knowing that the signal was being clipped before the recording app.
This is the only disappointing aspect of this mic. Now that I know, I will have to watch the levels more closely so that I leave a little more headroom, which should yield a less compressed signal.